country feedback

This was maybe the summer of 95, living in the apartment near where Napoleon plotted that famous battle that gets replayed every year, the actors falling to the ground again. This film is on a maddening loop. I don't remember much; or I remember so much but this memory comes to me like a series of snapshots, disconnected. I remember pressing my face into the carpet and crying so hard, the nubbins of carpet dug into my forehead. I'd left with just a suitcase, and when I'd been here a month you sent me the shirt I always used to borrow. These clothes, these clothes don't fit us right. I never told you but I wore it for years, long after we'd stopped talking, until it was more holes than shirt and I finally let it go. 

Man, I could cry then, I could WAIL, cracked open and the pain just poured from me, then, and there was so much. I'm to blame, it's all the same. What's funny is that at the time I felt pretty dried up, emotionally. I woke in a pool of blood and moved and woke in a pool of tears and moved and woke and knew that while I would never get over the past I would never have to repeat it, and so all my tears were crystal memories.

You come to me with a bone in your hand. The letters we wrote and wrote, fingers already cramped over the fifth page and nevertheless tearing the sixth from a notebook, poetry, trying to be the more honest one, the more generous. You come to me with positions. Playing emotional chess by post, each move took three weeks and each move counted. You told me how when you were in bed with her, your breath on the back of her neck kept her awake, your guilt for that, the clench in my stomach, the hairs on the back of my own neck at attention to imagination and memory, but all I wrote was that you had misspelled bed, and was calling it "bad" Freudian or what; you wear me out, you wear me out. 

Maybe things were too far gone by then. Years. Self-hurt, plastics, collections. I came home and sold half my things and gave away the rest, walked down the middle of the street with you, didn't want to trade you but couldn't hold you either. Came to your door late at night, broken, and your exasperation with me was palpable. But you didn't want me to leave, either. I was central, I had control. Every time I pulled at the tether you tugged me back until I don't even remember which one of us let go. It's crazy what you could have had. Oh, I can't finish, it goes on forever. But I need this; I need this. Needed.

made for walking

I wake to the memory of the smell of you so real I can't believe you're not there, or rather here, where I am. Here with me. Your scent not the sole thing that comes to me and wakes me from dreams. How your skin looked in the light from a storm, how it felt when you would lace your fingers in my hair. I tell my memories to heel, to heal, to do as I bid and for the most part I have been shiny. After all the reason you are not here is because you are there, the place where I left. I have fought already enough to know that there are lines you can toe and lines you can only walk away from, faster or slower and faster is always faster. My head in another lap, my hair brushed behind my ear again, my eyes close against what's coming, the pounding in my throat, and a voice above me says it has feelings but they're never for me, no more kisses for me, no more tongue, no more lips, gone. No need to play the vamp, repetition is boring for everyone. Another wedge between my heart and my mind and even while the welting pain rises I am packing the room, planning to leave no footprints. And as soon as I find my shoes, I'm gone; it's what I said then and that's all you need to know.

if you have to ask you can’t afford it

And we are shopping again, hooray. The second-hand shops, the malls, the boutiques, every city has a shopping district, a store, clothes on the rack and sales tags telling you more than you need to know about each item. The doors hiss open and the store is warm inside, the security guard just nods, the music is good enough you can take off your headphones and figure out what people listen to these days. One hand flicks across each rack, nope, nope, nope. Swipe right. You've got a good eye now, you can tell what isn't going to work.

What's harder is telling what MIGHT work. What you would honestly like is something you can put on and feel instantly at home in and also wear out with friends. You do not want a dress for parties, not silk nor leather nor fur. Something that matches a bowl of popcorn and a good movie, something cuddly and soft, something that brings out the color in your eyes. Something that makes you feel good about waking up. Something that lasts, durable. Not something for every day, as you have black t-shirts and sweatpants already, but something that COULD be everyday. 

There is nothing like that in this store. But you are not yet ready to give up, so you narrow your desires. It is possible that you are expecting too much from one outfit; maybe you should try several. Something practical, something fancy? Cargo pants, a plunging neckline? Here are some sequined leggings on sale and they're in your size! Here is a blue sweater that looks warm enough to keep you cozy for the last month of winter. Here is a t-shirt with a witty saying. Here is a wine-colored shirt that might do.

It might do, it all might do. When the weight of the hangers has bent back your fingers to the point of pain you carry it all into the dressing room and strip under the fluorescent lights and try it on, and try it on, and try it on. Nothing is quite right. It's never bad, because you don't pick bad things; it's never exactly what you wanted but you need something, it's too cold to go naked after all, and leaving empty-handed is sometimes more depressing than compromise. And it could be the light you're looking at things in, harsh and unforgiving. Or it could be just that you're not attracted by this season's fashions. Sooner or later you may come to admit that the problem is you. That in a store full of clothes a person who cannot find a single outfit is doing something wrong, is in fact wrong in some concrete nameable way. But that's sooner or later; today you grab another black t-shirt and hand over your credit card and put your headphones back on and call it a day. Which it was. 

baggage

I'm not letting go, because I'm sad about it and I think I will still feel spots of regret for a while yet. Things I haven't even realized I'm missing yet, that sudden pang of desire, the realization that one thing is gone, and the whole loss comes back in. It's not an ocean of sorrow; it's a pond, but for the moment I'm wallowing in it. The loss of art, of the language of love, of small treats I didn't need but wouldn't give myself. Tokens, mementos, silk and sand. 

I will eventually remember and then give up in turn on everything that I lost — replace some with similar things; find new interesting distractions to fill the holes that are gaping with irretrievable losses. The first step is realizing you really have lost it; the second step is deciding what you need and getting it elsewhere; the third step is figuring out how to compensate for what cannot be replaced, and the fourth step so on and on. I will take step after step, because that is how you move on, and my life will smooth over and I will be able to remember everything I had without feeling particularly wrecked about the fact that I don't have any of it any more.

And I have said and will say again that in the scheme of things this loss is nothing much; trivial. My sadness is indulgent. The art of longing is performed against a backdrop rich with having; otherwise it is need, which this is not. I'm not stupid. I'm just a little sad; permit me this: a little sad, for one week longer. And then the gates close anyway, even on the hope I no longer hold.

But while I swear I will get over the loss, I equally promise that I won't forget the experience. I don't let go of that and I don't move on, because if I can't learn from it then it was for nothing. And the next time somebody says "let me hold that for you; trust me!" I will hesitate, hold what is precious to me to my chest for one minute longer before I think about releasing it, think a little harder about what the loss might mean. I'm not saying I won't trust them; I'm saying if I don't realize that it's a risk, I'm a fool. That's what I've learned. No matter how sweetly spoken, a promise to protect what I value doesn't mean what I thought it meant; it doesn't mean I can't lose it anyway. Because I have certainly lost this. 

AT-510A, revised

I open the door and you're there which is surprising and not. There's an awkward moment and I step back to let you in but you reach forward, your thumb along my jaw and it fits like it always did and my head tilts into your warm fingers like it always did; our palms and our mouths and our same-colored eyes are mirrors, and here we are. You say, I realized that I loved you; I realize I still love you. Then I realize something for myself, which is: this is not real. My life is not a fairy tale, because those stories aren't real, not for me, even when I wish super hard that they were.  

I mean, listen: I'm biased. You can unroll the tapestry before me but if I slide my foot into the slippery story and stay we know perfectly well how my part ends. I chop off my heels and toes to try to be what is wanted and when my deception is discovered nobody says, oh the sacrifices you made for me. When the birds spill my secret, the blood pooling in my shoes, you know what happens? The pitch-perfect prince says: hey actually I think I love that other one, your sister; let's turn the carriage around and get her. So I have maybe less than the usual desire to participate. I'm acknowledging that. But if you think I didn't want it, if you think I didn't burn for love the same as everyone else it's because I lied about it, because I knew where it would go and where it would end, my eyes plucked out to punish me for my desires. 

So yes I am predisposed to hating the story, the fairy tale future and the happy ending I can't win, hating all of that out of self-preservation if nothing else. I see that. I used all my power of myth and wore out my dancing shoes, sewed nettles with my bleeding hands, and then ran and escaped across the bridge of one hair instead. I never expected a white horse or your prodigal love. And I took myself out of these stories a long, long time ago. 

*this is a revised version of something I wrote four years ago, so if you've been playing along at home long enough that it seems familiar that's why. It wanted fixing.

I know how it is.

I know how it is, it's late at night and you're at your parents, sleeping in your old bed, the room that was yours and that your mother always intended to make into a craft room of some sort, she said so when you left for college, but then you were coming back, summers, working at the Baskin Robbins and staying with them to try to save money. By the time you finally moved somewhere permanent, you left such detritus in your wake that the makeover seemed like too much effort. Anyway your parents sit together most nights, staring at the TV, no time or energy for crafting. So the room remains something like a time capsule, an homage to the person you were when you moved out, the kind of person who still bought posters with inspirational sayings on them and slept in a single bed. And now it's late at night, and you're under the cartoon bedspread (you took the black one you bought as a teen to college with you, where Shannon spilled beer on it and ruined it, so all you have at home is the bedspread you got for your eighth birthday). The noise from the television has stopped, your father snapping off the lights as he climbed the stairs behind your mother, and the only sound is a branch tapping occasionally on the window outside. So just you now, awake in the dark, the tapping branch, the creaks that an old house makes, your thoughts. 

younger then than now

Oh, this one I remember. Curly mop of copper hair and eyes that saw so much and could hold you still until everything around you faded. He was an artist, a photographer, a sweet heart. He took pictures of me, all eyelashes and cheekbones; I wrote him poetry. We traded scar stories, cooked together, played like a basket of kittens. He wanted my heart and I showed him what I had, still beating but ragged around the edges where it had torn when I tried to take it back from the last love. 

We sat in the kitchen one morning, that last love and I, laughing over coffee. Meanwhile, the photographer squeezed under the bed where it was too dark to see anything, not even a way out. I brought his coffee into the room, surprised he hadn't come into the kitchen for it. A hand sudden around my ankles and I fell, he crawled into me, sobbing and choking while he ate his own heart. You need to be a little braver to love someone than I was then and I felt my ragged heart locking itself away from him.

I saw him years later, and he still looked the same, a little less hair. Softer around the eyes, too, but still able to hold me in place. He'd won awards, toured. I hope somebody loved him really hard. I am sorry I couldn't, but I was so much younger then and even my coffee was weaker. 

 

inlaid

In 1994 we went to Telc for the first time; there's a beautiful castle there. This was before Western tourism had really hit the country and we pretty much had the run of the place (now it has the red ropes that all castles buy in bulk). We posed in embroidered chairs at the dining hall table, slid around on the ballroom's parquet floor in the ubiquitous Czech slippers, took flash photos of the sgraffito which was not a misspelling. There was, in one room, a puzzle box. According to the guide, the box had 20 hidden compartments, of which they had only found fifteen. We fiddled with it for a while before zooming off, high on kofola and drunk on antiquity.

In this room now you arrive. With your wide eyes you open one drawer, with your careful mouth you speak and open two more. Clever fingers open the velvet drawer where a woman could store her jewelry, find the hidden latch and the lid flies open, and music pours out of the puzzle box, all the secrets but one revealed now. It is part of your genius that in this moment you pass your hand gently across the lid and stand and walk away, leaving that one last mystery for later, or for someone else, and go on to join the others while the music plays on behind you.

losing the plot

I've always been good at seeing below the surface, the shadows in the water, the fingers of seaweed pulled and pushed by the tide. Human behavior, too, has generally been a matter of standing very still and just watching until the sparkles stop dazzling you and you see the fish that disperse and then swim back with cautious curiosity or the perfect curve of shell at your feet. Even when the person doing something doesn't know why, if you are quiet and watchful it generally becomes clear. We are animals, after all, and a little study is all that's required. I think sometimes one reason I like television is that the actors are told what their motivation is, and when you watch a good actor they telegraph their intent even when the words contradict that. He tells her he loves her but we know he's lying because of the way his eyes flicker away from her. For example. And now when I see your eyes flicker away even as your lower lip kisses your top teeth, the V of love, I know it's a lie. The thing I don't know is the motivation for it; that's hidden from me still. Lately I find myself increasingly lost, and I'm confused because this used to be my strong point. Why because money. Why because death. Why because shame. Those were the most because causes, so obvious, but I used to be able to see the subtle ones, too, as clear as water. But suddenly the water is always murky, clouded with garbage, my feet cut into ribbons with sea glass and I can't hear anything but the roar of the waves. 

holding back the years

The summer of 1986, and I'd already been through so much. Thinking of the fear I'd had so long. I remember thinking that I'd had plenty of experience with feelings and that I wasn't going to let myself feel anything again. Listen to the fear that's gone. I had just turned 18. Strangled by the wishes of pater, hoping for the arms of mater. I'd started college broken-hearted and for that first year tried to not talk to anybody unless it was related to school. Get to me the sooner or later. I dressed in oversized shirts and jeans and shaved my head down to a soft fuzz that was, I believed, the only thing soft about me. I'll keep holding on. I worked in a movie theater and spent most of my free time in a dark room watching a flickering screen, and I lived on popcorn. Chance for me to escape from all I'd known. He opened the door to the ticket booth and sang "Pure Imagination" and I fell. Cause nothing here has grown. That was the summer we drove and drove everywhere. I wasted all my tears, wasted all those years. We drove to UC Berkeley and spent hours reading all the graffiti in the hallway of the observatory before we finally got to the roof to count the stars and I still thought I could keep it all in my head. And nothing had the chance to be good. One late night he stayed in my room, we slept curled like kittens, gentle and innocent, and in the morning I kissed him for the first time. I'll keep holding on, so tight. When the radio alarm went off it was playing this song, and I every time I hear it I remember how it felt, how sweet it was to open my heart again. That's all I have to say.