Category: TODAY
not that you asked but
Imagine that you were robbed. Not today, not right this minute, but that you were robbed. I guess that correctly you have been robbed; it's happened multiple times. That you were shoved into a dark alley, pushed against a wall, and told to hand over your money, which you did. Imagine that you didn't scream. Imagine that you did, and it didn't change anything. Imagine this happening multiple times, times where you said "No, I don't want to give you my money" and they walked away while you stood dumbfounded at your success; times when you said the exact same words and they took something more valuable, something harder to replace than money. Imagine you were robbed in Prague and didn't even know it until the next day, and people told you to carry your money in another pocket, travel in groups, or don't travel at all. They got your camera too that time, all those memories taken from you. Imagine that you have friends who were robbed at gunpoint and so when it finally gets to the point where you are able to talk about the times you've been robbed you feel like: well, yes, I was definitely robbed, but they were more robbed. You try not to make these comparisons out loud in the company of people who were robbed; you try not to make the comparisons in front of many people at all. Are there degrees of violation? You had something that you did not want to give someone else and they took it from you and that was not fair and the unfairness of it is the part of the conversation that is interesting. It seems like a lot of people who were never robbed have ideas about what it means but that's okay, you know what you know, and your friends know too. Imagine that someone comes at sits at the table with you and your friends. Imagine them describing having put a dollar on the table and someone picked it up. Were they robbed? Is it even the same word; can it be. Probably it's the same, probably it feels the same. I was robbed, she insists. Sure. In your mind, you're back in that alley, a strong hand at your throat, rats chattering around you, and all you want to be is anywhere but there. So if you want to know how this feels, if you want to know what I think, imagine that.
pathogen
Here in the center there is a girl who is dancing exactly the way she is supposed to. The directions are given and she follows them. She's doing what's expected and she knows she is because everyone is laughing, everyone is delighted. She dances more and more, harder and harder, to please the people. If they like a little, they will like a lot. You can see her thinking this, or you imagine you can. Stick your tongue out, say the words, and she sticks it all the way out, she wants to do well, she wants to please, she wants everyone to be happy. When they are happy, that is like being loved. She looks ridiculous, but they keep laughing and she keeps going. Behind her there is another child who isn't moving, who doesn't know how or doesn't want to follow directions. That's okay. Some people love music differently. When she looks over her shoulder she sees that behind her there is another child who dances a little, but not as well as our girl does, since nobody is cheering for her. Probably she gets love another way. It's later then that she notices the child next to her. The child next to her is covering her face. In her exuberance at being the center of attention she has failed to notice what falls outside the circle, and what falls outside the circle is crying.
In this story you are the girl who is dancing. In this story you are the child who is not dancing, which is also an option. In this story you are the grandmother, laughing with delight, sharing the video with friends with famous people; "what a little actress!" you say. In this story you are the child who is crying.
There is delight and absence, there is laughter and there are tears. There's a lot of empathy for those feelings; you have a lot of empathy. What you don't understand is why nobody is comforting the child covering her face, why she's in the front row when she clearly doesn't want to be there. Surely there are adults making decisions here: a decision to put her there, made worse by decisions to film it, decisions to not help. You think of other situations where children are filmed and nobody helps. Can you imagine that? You find that you cannot. You wonder if it's the same kinds of people all the time, and you find that you suspect that it is.
inventory
It makes me happy to do something I'm good at. There's a way it feels inside me, like glowing, to be doing something well. Something I've noticed is that I used to feel that if I observed my happiness it might disappear; now I feel like observing it makes it more likely to recur. Hence. It makes me happy to be seen doing something I'm good at — literally seen or as more often happens, if someone says like "good editing job" or something, appreciates my work even if I'm not doing it.
I think I'm good at my job, I'm good at making the crooked straight and crushing down uneven places. I think I'm good at keeping my word maybe not always but pretty often, when I say I'll do something it takes a lot for me to not do it. I'm a decent storyteller and I'm also usually a pretty good listener though I remember a bit less than I used to. I still remember a lot.
It makes me happy to read a good book, though I have read a lot of bad books and so I don't read as often as I used to or as often as I want to. Similarly I also like watching good television and movies (though movies I watch less, which is weird for a person who used to prioritize time for movies over time for almost anything else). I used to like audiobooks and podcasts but now they just put me to sleep within about 5 minutes; I still remember them fondly though. But a good book or show, the kind where I believe the characters, the story, no matter how improbable; the kind where I inhabit the story as an observer and am carried in the current of it, where I can be pulled up by a perfect sentence without losing the plot, these are a path to happiness.
I like vinegar and salt and anything that tastes better with vinegar and salt. I like dark and bitter chocolate. I like wine outside in the summer with a cigarette and inside in the winter with cheese, either way better with friends.
I feel most myself when I am alone and able to think through something and reach a conclusion that pleases me. I also feel this way when I am with people who help me get through to conclusions that are at least as resonant or more than what I would have reached alone. I like laughing with people much more than laughing alone. I have suffered more than the average supply of fools to reach the people whose love feels real to me and for the most part my love for them increases and deepens in ways that feel important. That brings me a lot of happiness.
I like and have always liked dancing; have often liked singing though most often alone, with the solitary smug pleasure of knowing the words; have liked writing to people I miss and pulling them closer in my mind through that communication.
I have been, in life and of late, so incredibly unbearably sad. But that's not to say that I have not been happy, because I very much have been. I have so much.
May, she will stay
a unified body
Oh, haaaai. Remember when we used to blog like at least once a week? Stupid Facebook which gives me a tiny grazy snack of connection and takes away my appetite for digging a bit deeper into things that actually interest me. It's easy to say "I did this or that" "I thought about this or that" but … motivations, reasonings, responses, feelings, it takes too long. And my own attention is more and more like a hummingbird, so why shouldn't yours be? What right do I have to hold it? Nevertheless, here's what I've done in the last six weeks that I thought about (and failed to write about). Clearing the cache, so to speak.
The Brno Expat Centre held a fair so that foreigners in the city could find out about services that are available to them and Czechs in the city could learn about what foreigners do. So there were English-friendly businesses run by Czechs and Czech-friendly businesses run by non-Czechs, and it was mostly pretty fun. It was interesting to me that some people who hadn't been here very long complained about the absence of services they simply didn't know existed and other people who had been here for rather longer resented the existence of services that they hadn't been lucky enough to have. Like one side of the room complaining that there are no vaccines when there are, and the other side of the room saying there shouldn't be vaccines since we didn't have them back in our day. Back in our day we all died of the plague and I don't see why it should be different for these tenderfooted fools. Still no vaccine for ignorance and arrogance, I guess. Most of the exhibitors had a bowl of candy out and I enjoyed going around and seeing who had the best sweets.
It was my birthday and my friends took me out to dinner but I was so tired I almost fell asleep in my sushi. Still, aren't friends the best? I've been doing the "review and measure of my life by decades" and I think in my 20s I worked on developing myself professionally, and in my 30s I focused on being a mother, in my 40s I focused on how to be a good friend, and in my 50s it seems to be (so far) how to build a sense of community. Not like I've completely sorted myself professionally, but while I love my work, thinking about its meaning is no longer my primary focus and I feel like I've got a pretty good grasp of my skill set. Similarly I think I did okay at being a mother, and my friends are clearly the bomber type of people who love you even when your head lolls to the side before you've finished your nigiri. So here's hoping I figure out what community means in the next 8 years.
One of my oldest and dearest friends got married in New York and Squire and I went to the wedding as if we were proper jetsetters who will hop across the pond for a weekend. But it was so magical! My sister came from California and having the three of us together seemed like a perfectly reasonable explanation for enduring a four-hour delay in the Philadelphia airport. Also the wedding included gorgeous weather, Adironack chairs, fireworks, and the most intensive test of "waterproof mascara" I've been put to in recent years. I don't know how I feel about weddings or marriage — it depends on the wedding or marriage itself — but two people deeply in love and surrounded by people who love them is a pure good. I was glad to be there.
Next week I'm going to do standup in an actual venue, rather than in a corner of a bar, in Vienna and I'm extremely pleased and honored and terrified.
The play we've rehearsed for two months with the theater group is happening now and makes me think about honesty, art, creativity, stress, process vs. product, and how much sleep I'm not getting. That's about all I can say about that.
my left coast vacation
I sat next to fat people and thin people and medium people and I never took the elbow rest even though I thought a few times that maybe I deserved it. I figured out a way to drink beer and not get sick. I saw the ocean and swam in a pool which is thoroughly the opposite of what I would expect of myself. I thought a lot about what makes me laugh, and I laughed over and over. I cried a fair bit, though less than usual. I lived in the moments I was in, mostly. I watched a goodly amount of excellent television and a little not so good television. I bought a coat and boots and sweaters and went to cold places twice, on purpose. I ate so many oysters — so much seafood in general, as if the ocean was working to delight me and it was my job to be delighted. I was. I ate in front of a fireplace and my face and my heart were equally warm. I spent a day in beautiful and strange places I hadn't been, dimly recalling a language I had once been fluent in. I drove past animals and listened to Christian music that I didn't immediately recognize, then turned the radio off in horror and sang all the words to the songs I can still remember from those stretches of California that don't have radio stations. Cole Porter. Eurythmics. I tried to talk to you but you had headphones on. I slept in rooms without curtains, rooms without windows, rooms without heat, rooms without beds. Mostly I slept under quilts. I interacted with pets and generally enjoyed it. I watched someone being eaten alive by a feeling and finally understood that I do the same thing: it's not eating until you're full but eating like a fire that will consume as long as you feed it. I rode back and forth on the ferry and bought neither apples nor pears but was perfectly happy. I saw people I have loved in various intensities and at a range of distances for decades, and loved them more purely and simply and closely than ever. I did so many of my favorite things. I drank up all your wine.
year in review
blessed is the man who loves the lard
I went to a musical/opera thing last night. It was the Czech version of Leonard Bernstein's "Mass", performed in the DRFG arena. Here are my thoughts:
Good:
- The curtain speech was short, clear, and to the point. Some shows I've seen, these speeches last long enough for me to do my taxes, and are about as interesting, so this was nice. Like a good introduction at a party: Audience, meet play. Here's an interesting detail. I'm sure you two will hit it off.
- The songs were all in English. The subtitles were presented on screens behind the stage (functionally the backdrop) and the presentation of some of the subtitles was really fitting to the music — like watching a good sign language interpreter for music. I saw a presentation of "West Side Story" that projected the translation of song lyrics very creatively, and I'm happy to see this becoming a part of how English-language production is done here.
- I liked the simplicity of the costumes and the set.
- I liked, although I found it weird, that people seemed to wander off and back on the stage. It felt super casual and I liked that in some ways although I felt like where do they keep going, anyway? bathroom breaks?
- Gratuitous male nudity! I'm sorry no it was totally intrinsic to the story.
- The acapella songs were lovely.
- Some of the film clips projected on the screens were nice and seemed to complement/further the story, especially the ones that interlaid footage of the actors.
- The dialogue parts, which were in Czech, were mostly well-enunciated enough that I could understand them and follow along for those parts of the story.
- If there was a narrative to the pictures and film clips on the screen, they could have slowed it down so that uncultured people like me could understand it. It was incredibly fast and distracting from the action on the stage and it made me feel jumpy. They slowed it down for one whole song to focus on a woman's chest, with a crucifix. Sure.
- The orchestra was louder than the singers; as a person who cares about the words much more than the music, this was not ideal for me.
- The doors to the stadium don't close, so I got to watch the well-lit doorway across the way with ushers milling about, plus people walking out of the performance (sometimes in groups; sometimes I think these were just bathroom runs).
- The pronunciation on some songs was … poor.
- The number of things that were distracting to me were over the top, and left me thinking snarky Anne-narrative thoughts, like:
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I have issues with children performing in any high-pressure situation (school groups on stage for concerts is fine, but "carry your country to the Olympics" is, in my opinion, a form of evil) and I felt.. problematic about how much of the turn of this story rested on a child under 10.
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This is a hockey stadium. Hockey players are well paid. I wonder if these performers are as well paid? Oh, are we doing sports vs. arts now? That always ends well.
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Uhm so all the characters were unhappy when they were wearing gray sweaters, and all they had to do was take the gray sweaters off and then they were happy? Seems like they could have thought of that a lot sooner. Those sweaters are pretty cool, though, I wonder if I could get one.
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ductile
I remember one time when I was a teenager wailing to my mother that I was sooooo ugly. And she told me, "it's more important to be smart than pretty." Which I understood, with the kind of self absorption that only a 15 year old with acne and a big nose can command: Even my own mother thinks I am ugly.
I think I was in my early thirties before I understood that she meant: beauty will not serve you as well as thinking will. Before I understood that she meant that I was smart.
In the meantime, in my teens and twenties, I vacillated so hard in my perception of my looks that I was probably a little crazy. I know I've talked about this before but it's just so weird to look at pictures and remember how awful I felt, so much of the time. On the one hand, people, particularly men, seemed to like to look at me. I watched a man at the gas station turn around to look at me and crash into a wall, pure slapstick. On the other hand, I had boyfriends who regularly told me that I was fat, that my face was weirdly lopsided, that I wasn't pretty enough to love. A woman stopped me on the street to tell me I could be attractive if I would just make a little effort. I got to a point where anything that might have been positive felt negative, like I felt even if someone said I looked nice it was from pity. I thought that anybody who looked at me would have looked at Joseph Merrick in the same way, I felt like anybody who touched me did so the way they might pet a snake. Some days I couldn't leave the house because I felt so guilty about inflicting myself on people. When I did get out, I apologized to people for my Cyrano nose, my horse teeth, my peasant's ankles, for freckles, until I had made perfectly sure that was all they saw.
In my thirties, I had Squire, and a few things happened. One, I had a person in my daily life who did not care a bit how I looked. Two, I was way too tired to be thinking about my looks so damn much. Three, I got a job on the internet that meant nobody was looking at me and they truly only cared about how well I did my job.
This is when I came to understand my mother's words, finally.
And when I hit my forties, I noticed that some of my friends, friends who were deeply pretty in high school, were taking the aging process really hard. I was in my prime, mentally, and the fact that I was in decline physically was comparatively nothing to me. Wrinkles? Mostly laugh lines. Grey hair? I couldn't wait. I had the intellect now to avoid mirrors too well lit or people who negged me; I even had the word neg in my vocabulary. Sure, there were still moments, like the time someone came up to me on the beach and told me I was so brave for wearing a bathing suit in public. And sometimes I had my moments of self-doubt that I made all by myself. But for the most part I was busy figuring out what I could do with my brain and having a much better time of it. In the course of this I came to realize how incredibly boring talking about being ugly is. Oh, it's so so so boring, it's worse than talking about the weather.
So now I'm fifty. To be honest I'm sometimes surprised at the extent to which vanity creeps in — I got permanent eyeliner, and that's really the least of it. Tattoos are transformative. It's like most other things, I guess — it's a lot easier to play in the water once you've learned how to swim. It still comes back, this wave of horror, and even just a month ago I had a minute where I couldn't breathe for fear of being pulled under it. But it's a receding wave, it's no longer likely to drown me. Also when I got enough white hair to justify it I bleached the rest of my hair to match it, all platinum, and listen to what wikipedia says about that: It is a dense, malleable, ductile, highly unreactive, precious, silverish-white transition metal. Indeed it is. We are.